Course Name | Contemporary Architecture |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
ARCH 504 | Fall/Spring | 3 | 0 | 3 | 7.5 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Elective | |||||
Course Level | Second Cycle | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | ||||||
Course Coordinator | - | |||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | To discuss the changing outlooks and problematics of the period via seminal text by architects and architectural theorists and to evaluate contemporary architectural topics from a critical perspective. |
Learning Outcomes | The students who succeeded in this course;
|
Course Description | This course focuses on post1950s architectural theories, practices and discourses. |
Related Sustainable Development Goals | |
| Core Courses | |
Major Area Courses | X | |
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Introduction to the course | |
2 | The Architectural Manifestation of PETER EISENMAN | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Peter Eisenman, ‘The End of the Classical: The End of the Beginning, the End of the End’, pp. 522-539, in K. Michael Hays (ed.) Architecture Theory Since 1968 (Cambridge Mass.: The MIT Press, 1998) • Michael K. Hays, ‘Repetition’, pp. 51-88, in Architecture’s Desire: Reading the Late Avant-Garde (Cambridge Mass.: The MIT Press, 2010) |
3 | The Architectural Manifestation of PETER EISENMAN | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Peter Eisenman, ‘Post-Functionalism’, pp. 234-239, in K. Michael Hays (ed.) Architecture Theory Since 1968 (Cambridge Mass.: The MIT Press, 1998) • Peter Eisenman, ‘Moving Arrows, Eros and Other Errors: An Architecture of Absence’, pp. 582-585, in K. Michael Hays (ed.) Architecture Theory Since 1968 (Cambridge Mass.: The MIT Press, 1998) • Peter Eisenman, ‘Cardboard Architecture’, pp. 241-243, in C. Jencks & K. Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) • Peter Eisenman, ‘Visions Unfolding: Architecture in the Age of Electronic Media’, pp. 295-297, in C. Jencks & K. Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) |
4 | The Architecture of PETER EISENMAN | Student Presentations on the Architect’s Selected Buildings |
5 | The Architectural Manifestation of BERNARD TSCHUMI | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Bernard Tschumi, The Manhattan Transcripts, (NY: Academy Editions, 1994) • Michael K. Hays, ‘Spacing’, pp. 135-170, in Architecture’s Desire: Reading the Late Avant-Garde (Cambridge Mass.: The MIT Press, 2010) |
6 | The Architectural Manifestation of BERNARD TSCHUMI | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Bernard Tschumi “The Architectural Paradox,” pp. 214-229, in K. Michael Hays (ed.) Architecture Theory Since 1968 (Cambridge Mass: The MIT Press, 1998) • Bernard Tschumi, ‘The Pleasure of Architecture’, pp. 268-269, in Charles Jencks & Karl Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) |
7 | The Architecture of BERNARD TSCHUMI | Student Presentations on the Architect’s Selected Buildings |
8 | The Architectural Manifestation of DANIEL LIBESKIND | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Daniel Libeskind, ‘Chamber Works’, pp. 28-45, in R. Ritter & M. Haberz (ed.) Music Architecture, (Austria: HDA, 1997) • Daniel Libeskind, ‘Building’, in Breaking Ground- Adventures in Life and Architecture (NY: Riverhead Books, 2004), pp. 77-102 |
9 | The Architectural Manifestation of DANIEL LIBESKIND | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Daniel Libeskind, ‘End Space’, pp. 274-275, in Charles Jencks & Karl Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) • Daniel Libeskind, ‘Unoriginal Signs’, pp. 281-282, in Charles Jencks & Karl Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) • Daniel Libeskind, ‘Upside Down X’, pp. 293-294, in Charles Jencks & Karl Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) |
10 | The Architecture of DANIEL LIBESKIND | Student Presentations on the Architect’s Selected Buildings |
11 | The Architectural Manifestation of REM KOOLHAAS | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Rem Koolhaas, ‘Junkspace’, October 100, Spring 2002, pp. 175-190, in I de SolaMorales, Differences: Topographies of Contemporary Architecture (Cambridge Mass.: MIT Press, 1997) • Rem Koolhaas, Delirious New York A Retroactive Manifesto for Manhattan, US: The Monacelli Press, 1994) • Charles Jencks, ‘Superposition - Can One Build-in Time?’, pp. 77-84, The Architecture of the Jumping Universe (Great Britain: Academy Editions, 1997) |
12 | The Architectural Manifestation of REM KOOLHAAS | Haftalık Okumalara İlişkin Ödevin Yapılması / Doing the Homework based on the Weekly Readings Haftalık Okumalar / Weekly Readings: • Rem Koolhaas ‘’Life in the Metropolis’’ or ‘The Culture of Congestion,’’, pp. 320-331, in K. Michael Hays (ed.) Architecture Theory Since 1968 (Cambridge Mass: The MIT Press, 1998) • Rem Koolhaas, ‘What Ever Happened to Urbanism?’, pp. 305-306, in Charles Jencks & Karl Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) • Rem Koolhaas, ‘Bigness: or the Problem of Large’, pp. 307-311, in Charles Jencks & Karl Kropf (ed.) Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) |
13 | The Architecture of REM KOOLHAAS | Student Presentations on the Architect’s Selected Buildings |
14 | General Review | |
15 | Term Project | |
16 | Term Project |
Course Notes/Textbooks | |
Suggested Readings/Materials | Recommended Reference Sources: • Charles Jencks & Karl Kropf, Theories and Manifestoes of Contemporary Architecture (Great Britain: Academy Editions, 1997) • K. Michael Hays, Architecture’s Desire: Reading the Late Avant-Garde (Cambridge Mass.: The MIT Press, 2010) • K. Michael Hays, ed., Architecture Theory Since 1968 (Cambridge Mass.: The MIT Press, 1998) |
Semester Activities | Number | Weigthing |
Participation | 14 | 10 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | ||
Portfolio | ||
Homework / Assignments | 8 | 40 |
Presentation / Jury | 1 | 20 |
Project | 1 | 30 |
Seminar / Workshop | ||
Oral Exam | ||
Midterm | ||
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 24 | 100 |
Weighting of End-of-Semester Activities on the Final Grade | 20 | |
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 3 | 48 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
Study Hours Out of Class | 8 | 6 | 48 |
Field Work | |||
Quizzes / Studio Critiques | |||
Portfolio | |||
Homework / Assignments | 8 | 1 | |
Presentation / Jury | 1 | 2 | |
Project | 1 | 4 | |
Seminar / Workshop | |||
Oral Exam | |||
Midterms | |||
Final Exams | |||
Total | 110 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to advance specialized architectural knowledge based on qualifications acquired at the undergraduate level. | X | ||||
2 | To be able to conceive the interdisciplinary nature of the architectural field and apply such knowledge and analytical capacity to interdisciplinary studies. | X | ||||
3 | To be able to apply specialized knowledge in architecture in theoretical or practical work. | X | ||||
4 | To be able to produce new knowledge by integrating architectural knowledge with knowledge in other disciplines. | X | ||||
5 | To be able to diagnose and evaluate a specific problem in architecture and to relate this ability to publishing or practice. | X | ||||
6 | To be able critically evaluate knowledge peculiar to the architectural field, facilitate self-directed learning and produce advanced work independently. | X | ||||
7 | To be able to communicate contemporary developments in architecture and one’s own work in professional and interdisciplinary environments in written, oral or visual forms. | X | ||||
8 | To be able to consider, control and communicate social, scientific and ethical values in the accumulation, interpretation, publication and/or application of architectural data. | X | ||||
9 | To be able to critically analyze the norms that inform spatial relationships and their social implications and to develop original thesis according to guidelines. | X | ||||
10 | To be able to keep up with developing knowledge in Architecture and participate in academic and professional discussions using at least one foreign language. | X |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest